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1930年代，台灣在日本殖民統治近四十年後，進入了更穩定的同化階段。於此一時期，台灣出現了最早引介超現實主義的文學詩人團體：風車詩社。
風車詩社反映了二十世紀從西方（尤其是法國）到日本，再傳遞至台灣的文化移動路徑，折射出西方現代主義進入亞洲之後，亞洲文藝創作者面對與回應在地及世界的態度與方式。
本片追溯了風車詩社所帶領的前衛浪潮，反映出西方文化對於戰前東亞文藝的影響，並透露出日治時期台灣文壇的樣貌，這些殖民地上的現代文學創作者，藉由詩觀的論述及文學創作，共同為台灣留下了劃時代的意義與美學。

It was when Taiwan was in a stable period of cultural assimilation during the past forty years of Japanese colonial rule that the country’s first modern art group – Le Moulin Poetry Society – arose in the 1930s, with their poetic protest against the colonial power’s cultural superiority. The name reflected the group’s orientation towards the West while especially strongly influenced by France. Regarding the Surrealists as their absolute role models, Le Moulin poets composed poetry in an uncompromising and aesthetically sophisticated style to confront the turbulent era they lived in.
Le Moulin not only tries to record a historical period that paved the way for a new freedom and self-awareness, but also to explore how Asian Modernist writers reinvent Modernism through encountering foreign culture and their contemplation upon identities.